عندما يختفي ابنها في ظروف غامضة ويظن الجميع أنه مات، تقوم الأم بريندا مارتن (جوليان مور) بإلقاء اللوم على رجل أميركي أسود يسكن في حي فقير. تعتقد بريندا أن الرجل قام باختطاف ابنها، ويتسبب ذلك في تأجيج مشاعر العنصرية في المنطقة. يقوم المحقق الأسود لورينزو كاونسل (صامويل ل. جاكسون) بالاشتراك مع باحثة عن الأطفال المفقودين بيضاء البشرة في محاولة لكشف الحقيقة. يكتشفان سويًا أن الأمر أكثر تعقيدًا مما يبدو عليه.
الإعلان الترويجي
طاقم العمل
Julianne Moore
Brenda Martin
Samuel L. Jackson
Lorenzo Council
Edie Falco
Karen Collucci
Ron Eldard
Danny Martin
William Forsythe
Boyle
Aunjanue Ellis-Taylor
Felicia
Anthony Mackie
Billy Williams
LaTanya Richardson Jackson
Marie
Clarke Peters
Reverend Longway
Peter Friedman
Lt. Gold
Domenick Lombardozzi
Leo Sullivan
Aasif Mandvi
Dr. Anil Chatterjee
Philip Bosco
Priest
Fly Williams III
Rafik
Portia
Doreen
Portia
Rafik's Sister
Haneefah Wood
Vicky
Haneefah Wood
Rafik's Sister
Dorian Missick
Jason Council
Joe Forbrich
Hal
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التعليقات
10 تعليق
source: Freedomland
WOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOW That was horrific, one of the worst movies I've ever seen, Moore is trying but her performance is laughable, Jackson can't even save this film about a missing child, you will know the ending in the first 10 minutes, the premise is idiotic and the execution even worse, one of the worst performance by a leading lady EVER, I like Moore in other films( big lebowski, Boogie Nights, ext) but she is terrible, I don't know if she is supposed to be mentally challenge or what but she can't or act, the police station scene was one of the worst exchanges by two top notch actors ever, the twist was strait as an arrow, very very very bad 1/10
I knew little about this movie but went to see it because of Samuel Jackson. From the moment it started I was hooked. This movie truly allowed viewers to discover what was going on a little at a time. Just when I thought I had everything figured out, it took another turn. Without giving away the meat of the movie, I will say it deals with important human issues without being boring or preachy. At one point people in the theater either gasped or wept. No its not a "chick flick" but it does pack a punch! Its sad that studios often don't know how to market great movies. There have been several that I did not go to see because the way they were advertised did not portray what the movie was really about. Then when I catch them on cable I'm completely shocked that the movie is so engaging. An example of this is Snow Falling On Cedars. Back to Freedomland, it was shot magnificently. The Director and DP took viewers on a journey that ends in thought. You cannot see this movie and leave without thinking about what happened. Ignore the advertising and go see this movie.
First mistake of this film was marketing (after all, it's all about marketing) Billing it as a thriller/action movie with some paranormal slant was wrong. This is strictly a psychological drama with zero paranormal stuff in it. Second mistake was to make reality too real and not idealized or artistic to stay away of the touchy issues addressed: Race, police prejudice, social differences. So if you went to the movie theater or the rental place to watch a thrilling action film staying right on the surface of entertainment and shock value, you will be disappointed. This is a nicely acted, well constructed and most importantly, realistic drama in which a white woman blames the kidnap of her son as a carjack conducted by an African-American male. As far as I am concern, there was no stereotyping, just realism. There was no siding on the moralistic virtues of one or other side. Actually, this is a quite profound exploration of the reasons to lie, the be racist, to fear prejudice and to resist the fact that a social interaction between poor and rich, white and black, civilian and policemen will probably be fair in a near future not now. My only concern was to see Ms. Moore so stressed during 90% of the film, quite impressive performance. Just hope she doesn't take this as her type-cast.
This movie was a real disappointment to me. All the elements for a fine picture were here. Good story, good actors. Sadly, the picture was not put together well. First blame should go to the director who was not able to restrict himself to the story lines he would be able to tell effectively. Next to blame is also the director who edited the film with superfluous characters and dead end plot lines. Several very good acting performances were squandered in this mishmash. Julliene Moore and Samuel L. were great (As always). Ron Eldard is a favorite of mine. He never gets the romantic lead, but provides great dramatic wallop. Unfortunately his character had nothing to do with the story. Typically, the scene where he overhears the confession of Billy is meaningless, nothing comes of it and his character disappears afterward. I'm not sure this was even a good try. Save your money.
"Freedomland" falls flat in every possible way a movie can. The story is boring, the viewer does not care about the characters, and the movie goes nowhere. The film is set in 1999, which is odd because nothing during the course of the movie makes it necessary for it to take place during that time period. The story begins with Brenda Martin (Julianne Moore) walking into a hospital with wounds on her hands after being carjacked. Detective Lorenzo Council (Samuel L. Jackson) is called in to ask her further questions. Brenda then tells him the story and blames the carjacking on an unidentified black male. It also then occurs to her that her son was also in the stolen car. Brenda's brother is detective Danny Martin (Ron Eldard) of a neighboring police department. Trying to find his nephew quickly he puts the all black neighborhood where the carjacking took place under lock down. Since no one is allowed to leave the residents of the area start to get upset and unruly. To diffuse the situation Detective Council rushes to find Brenda's son before riots break out in the neighborhood or Brenda's son is found dead. As the story unfolds we find that there is more to the story then we know. "Freedomland" tries to deliver a twist ending at the end, but everyone in the audience can see it coming. Ironically the movie openly tells you many times what the ending is going to be. Though when the truth is told we are supposed to be shocked and amazed. Even this strong cast of actors cannot save this movie from being totally lost. Samuel L. Jackson really underplays his role as Detective Council. Jackson is probably the loudest actor in Hollywood and the one role that needs it he does not deliver. Julianne Moore on the other hand overplays her role as Brenda who instead of a grieving mother comes off as a lunatic. By the end of this movie the viewer has no sympathy for her character because she is so annoying and irrational. The true shame about this movie is how it poorly tries to bring in themes of racial inequality. It seemed like an original set up by using the characters in the black neighborhood in lock down. Unfortunately the points the film is trying to make take a back seat to the boring story of Brenda and her missing kid. The racial ideas are then never fully developed and just fall short as a type of afterthought. Also, what happened to this movie being a supernatural thriller? Every advertisement has shown the movie involving the child going missing for some mysterious reasons. The real story has nothing to do with the supernatural. The movie should not even be considered a thriller because nothing exciting or suspenseful ever takes place. Instead we just dragged along with these characters knowing exactly what is going to happen at the end. "Freedomland" is one of the worst movies I have seen in a long time. It really should be an educational video of how not to make a movie because there is nothing good about this film.
