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CrimeDrameHorreur
Année1973
Durée1h 34m

A disillusioned race-car driver plots to kill her ex-husband at the behest of his new wife, but the plan quickly goes awry.

Bande-annonce

Casting

Carroll Baker

Helen

Jean Sorel

Maurice Sauvage

Luis Dávila

Albert Duchamps

Alberto Dalbés

Dr. Harry Webb

MC

Marina Coffa

Susan Sauvage

Anna Proclemer

Constance Sauvage

LH

Lisa Halvorsen

Solange

MD

Manuel Díaz Velasco

Miguel

Jacques Stany

James

RR

Rossana Rovere

Nurse

CC

Calisto Calisti

Doctor

AD

Alfonso de la Vega

Chauffeur

GF

Gaspar Forteza

1st Cop

FN

Francesco Narducci

2nd Cop

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Commentaires

5 commentaires

ChloéMay 29, 2023

source: A Quiet Place to Kill

journeyNov 16, 2022

Paranoia

MR. & MRS. CHETTRI 🕷Nov 16, 2022

A bit more energy than some of Lenzi's more sluggish films... there is some good tension here between the characters. It is well acted. Again, with most of Lenzi's work, all of the events don't quite add up when all is said and done, but at least the ride was fun and engaging! Very low body count. This one is not about giallo violence and focuses more on the emotional journey of the characters in the wake of a mysterious death.

Omah LayNov 16, 2022

Watched this on Tubi TV in March 2021. This is a great thriller with a beautiful looking cast, stunning scenery and a crisp transfer. The plot centers around two women who conspire to kill a man who has been a lover to both of them and then things go haywire. Great little thriller and the scenery and beautiful cast make this film definitely worth the watch.

Sandra_mensahNov 16, 2022

The third teaming of actress Carroll Baker with director Umberto Lenzi, yet another sex-and-murder soap opera made in Italy after Baker's Hollywood fortunes had dried up (temporarily, anyway). Here, Carroll is a racecar driver who cracks up on the track; she takes refuge with her handsome ex-husband, who has remarried a wealthy older woman with a daughter from a previous marriage. Double and triple crosses--as well as scenes featuring a *, unblushing Baker--are in abundance, yet the 'shocking' plot taxes one's patience, particularly since the characters are so vapid. Excellent point-of-view cinematography from the driver's seat lends the narrative far more excitement than the guessing game of who is sleeping with who. ** from ****