Title Matrix
Lettres d'amour d'une nonne portugaise
16-year-old Maria is forced into Serra D'Aires convent, secretly run by Satanists.
Bande-annonce
Casting
Susan Hemingway
Maria Rosalea Coutinho
William Berger
Father Vicente
Herbert Fux
Satan
Ana Zanatti
Mother Alma, the Grand Priestess
Aida Vargas
Joanna, a Nun
Vítor Mendes
António Fernando Queiroz de Melo, the Mayor
Herman José
Manuel Gonçalves, the Prince
Aida Gouveia
Antónia, a Nun
José Viana
The Grand Inquisitor
Patrícia Leal
Maria's Mother
Nicolau Breyner
Prince's Aid
Dagmar Bürger
Nun at ritual
Victor de Sousa
Inquisitor's Aid
Anton Diffring
Old Priest
Clara Marabuto
Josefina, a nun
Esther Studer
Nun at ritual
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Commentaires
5 commentaires
Die Liebesbriefe einer portugiesischen Nonne
Ken Russell's classic "The Devils" (1971) almost gave birth to a new genre of the exploits of sex starved and repressed nuns. "Love Letters Of A Portuguese Nun" is together with "Flavia The Heretic" one of best and it's also one Franco's most exciting. A teenager is caught kissing with her boyfriend by an evil priest who talks her mother into sending her sinful daughter to a convent. From the first day and all through the movie the poor teen is put through one sexual humiliation after another (incl. sex with satan who has one horn in the forehead!?!). It's sleazy as hell but also very done, beautifully shot, good locations and wellacted. "Love Letters.." could also be seen a comment on religion (Franco with a message?!?!). A must for fans of stylish European 70's smut!
Jess Franco's "Love Letters of a Portuguese Nun" is the perfect film to show anyone who thinks all that Jess Franco is capable of is zooming in and out of tasteless sex scenes. Instead of his usual epileptic zooms, the cinematography in this is measured and carefully composed. The acting is also another plus. William Berger's portrayal as the Father Confessor is the epitome of slime and pretense. Let's not forget Susan Hemingway and her effortless performance as the innocent heroine of the title. In closing, this is a MUST-SEE picture and proof that Franco could make a film that would cater to the arthouse crowd.
