Shelter

all the comments there are fake,I downloaded thinking it's a gay movie but it turns out it's a horror movie instead, the picture is faked, it's not a gay movie

How I wish this film existed when I was 18 years old. It would have helped me reconcile my inner-struggles and feelings about being a homosexual much more easily and given me more structure of what to expect from someone should I have become involved with another guy. Fortunately, younger generations now and to come will benefit not only at an entertaining level with "Shelter," but also be rewarded with a reflection of themselves of the two stellar, magnificent male characters, Zach and Shaun, in the film. After some months of hearing about this film through blogs and on MySpace, I finally got to see "Shelter" this past weekend. It is an absolutely superb, wonderfully woven film. With a strong California look and feel as a backdrop, the film is about young Zach (played remarkably by Trevor Wright) struggling with maintaining responsibility to his family while dealing with friends and potentially giving up his academic dreams to be an artist. Eventually, he develops feelings for his best friend's brother (played by veteran talent, Brad Rowe) during the course of events, triggering conflicting feelings almost beyond his control. Fortunate for him, the grand support of Shaun, his best friend's gay brother, Zach can see there is light at the end of his dark tunnel. And eventually he develops not only the strength to accept himself and Shaun into his life, but become an extraordinary father-figure to his 5 year old nephew, Cody. The beautiful thing about "Shelter" is that it doesn't rely on inane gay stereo-types (i.e.: flamboyant characters, drag queens, limp-wristed high-pitched voiced effete men, gratuitous sex bordering on *, etc.) or heavy-handed subject matter (drug addiction, HIV/AIDS). "Shelter" handles the hurtle of coming-out with such warmth, humor, and touching grace. And the sub-theme of two gay men becoming aptly-able father figures to a young child sends a remarkable message that perhaps not all heterosexuals may be capable of raising a child as effectively as two responsible gay men with strong family values in their hearts. Once more, what sets "Shelter" apart from most other gay films is how straight-forward and beautifully portrayed it is. Where most other American-made gay films offer are poor writing, terrible acting, bad direction, typical campy content, leading and supporting promiscuous gay characters, shrilling dialouge -- need I list those horrible films -- "Shelter" is strongly distinguished, sincere, and authentic. This is a wonderful film which will undoubtedly become a future classic.

i think that most people who 'loved' this movie would have called it mediocre at best if the main characters were straight. the acting in general was very poor and far from believable. seems like brad rowe was the only one who could act really, though he needs to practice the kissing bit, it was more like two chicken pecking each other. trevor wright, cute as he was, seemed more confused as an actor than the character himself. the story was OK, but had plenty rom com clichés translated into 'gay'. pictures were unsatisfactory. the ever repeating surf scenes looked like they were thrown in randomly. gay, straight, whatever, it was a poor one...

Wow, I can't believe all the rave reviews of this agonizingly slow film. The film is technically very well made, and Trevor Wright's acting is wonderful (about the only thing going for it), but the movie seemed 5 hours long to me. It took a half hour to get going and then moved at such a slow pace it was like it was stuck in slow motion to get to the very predictable conclusion. This is not a movie I would want to watch a second time. Disappointment.

I would have walked out of this film after half an hour, but my date insisted on staying since we'd paid for the tickets. Afterwards, he apologized, and agreed that we should have left early. On the one hand, it's nice to see a gay film that's trying to be something more than a pointless parade of naked guys. On the other hand, this film hasn't found anything else to offer. On the plus side: * Reasonably well shot * A gay film that actually tries to show grown up relationships and responsible human beings. On the downside: * Very weak script * Painfully predictable plot * Bad casting. (There's a complete lack of chemistry between the two romantic leads) * Weak editing (The film keeps cutting away from the action to show long surfing montages that don't advance the plot in any way.)

I saw this the other night at a screening in NYC...wasn't even going to go but decided at the last minute to go and so happy I did. This movie completely surprised me and impressed me. Wonderfully directed, great script and spot on acting. Absolutely the best gay themed movie I've seen since Brokeback Mountain and in some ways surpasses that movie. How refreshing to see a film that deals with gay characters and none of them have a disease or are all about sex. Not that there's anything wrong with that but it's about time we see more movies that represent the ENTIRE spectrum of the gay community. The situations here were believable...the two leads had actual chemistry and there was an overall realism to it that we've rarely seen on screen with gay characters. This film has absolute mainstream appeal to it...Go see it and bring your friends!

I just saw this movie at the Philadelphia Gay and Lesbian Film Festival. It was amazing and exponentially better than Brokeback Mountain. This is a love story where the angst and passion were so alive. The interplay amongst the characters were very real and delicious in so many areas. It wasn't cheesy at all and the entire audience was focused on the movie. I highly recommend the film. This is one film I wouldn't mind seeing twice at the festival! On a rating of (a) pay full price for film, (b) pay matinée price, (c) rent DVD at store, (d) Netflix - somewhere in the queue or (e) don't bother...it is totally (A). It was so worth paying full price for the film. Go see it!

It's not really about rich and poor, it's about honesty and honor, and the lack of it. The one stand-up guy (Trevor Wright) reminds us that there actually *are* good, selfless people in the world. Zach has to deal with and master an unfair world, and part of that iniquity is himself, because he's gay. Trouble outside, trouble inside. This is a very kind, wonderfully acted movie. Kudos to all involved. It's odd that we need straight actors to convince us that gay folk are actually human, but these guys do it without apologies. We should all be so kind.

I attended the Outfest screening for this film last night and was mightily and pleasantly surprised. I'd read the descriptive blurb in the Outfest program and thought "Yeah, whatever...a surfer film." But it was at the John Ford Amphitheatre, my favorite festival venue, which, frankly, was my main reason to go last night. Within the first ten minutes, the venue was quite secondary. I was easily drawn into the story and found myself deeply moved soon in. Having grown up in small town America, the story held a profound resonance for me. Yet, even if that is not your particular experience, this film defies you not to be moved. If you are looking for imperfection here, you will find it. If you allow yourself to be engaged in the story, you won't be disappointed. This one will be with me for a while.

I'm previewing a disc version for the Brisbane Queer Film Festival where Shelter screens on Saturday 24th May 2008. Even in this low res screener, Shelter shines as a film with huge heart, and one that's been made with equal care by the actors and all of the film-makers. It's not at all like the angst-ridden abomination of a gay surf flick "Tan Lines". Surfing is simply a fact of life element in "Shelter" - it's not used or abused as a device. "Shelter" is a beautifully edited, spectacular looking and luscious sounding film which is definitely character driven. Each of the main characters is carefully developed so that we quite soon decide that we really do care about Zach, his young nephew Cody and Zach's love interest, Shaun. We want things to work out for them. We understand that Zach is in a bind - he's allowed himself to be the physical and emotional anchor for a progressively more dysfunctional family, but we know that he deserves much better life options. The writers and director of Shelter have done a fantastic job - not a look or word is wasted, and yet the whole pace of the film is very relaxed. "Shelter" deserves every accolade that any individual or Festival might care to bestow. Straight audiences must find "Shelter" to be equally rewarding. The film's theme is, after all, about love, honour and commitment. What could be more wholesome than that?