The Medley: Office Hours, Berklee Next, The Shed, unCOVER, Red Mic, Didn't Know I Didn't Know

Experience the powerful live performance of ZaZa at Berklee’s Career Jam Concert. She performs two of her original songs "Ruinin’ My Heaven" and "From Here." 00:00:00 Ruinin’ My Heaven 00:02:44 Transition 00:03:19 From Here Artist: ZaZa, /zaza.vey Guitar: Ollie Gullick, /olliegullick Guitar: Lex Kolody, /lex.kldy Bass, Ella Wheeler: /soliidago Keys: Paul Vanier: /saintaunay Drums: Nacho Colombini, /nachocol Berklee’s Career Jam brings together the next generation of artists, showcasing original music and unforgettable performances. Subscribe: Facebook: /berkleecollege Instagram: /berkleecollege LinkedIn: /berklee-college-of-music TikTok: /berkleecollege Site: Post-production Andres Gonzalez-Cardona: audio Teo Karakolev: video

Professor Rick McLaughlin uses his unique storytelling approach to show how chords help listenersmove through a musical narrative. His tales of crossing a busy street to grab a coffee or getting busted on social media elucidate concepts of functional harmony and modal interchange in a way that only he can. 00:00:00 Intro 00:00:52 Using harmony as storytelling 00:02:01 Modal interchange 00:03:42 Harmonic budget Subscribe: Facebook: / berkleecollege Instagram: / berkleecollege LinkedIn: / berklee-college-of-music TikTok: / berkleecollege Site: Credits: Produced by Jeannie Greeley and Andres Gonzalez Cardona Cameras: Jeannie Greeley, Steffan Hacker, Sage Shriver Blough Editing & Graphics: Sage Shriver Blough Audio recording: Andres Gonzalez Cardona Audio mixing and sound design: Juan Riera Gomez Music credits: "Marina" Composer: Rick McLaughlin Publisher: Rock McLock Music Copyright Rick McLaughlin Rick McLaughlin (bass) "Without a Song" Composer: Vincent Youmans Performed by: Jeremy Udde

Watch as Ike Moemeka, Glasshouse, and Adia Clark Lay reimagine the iconic "I Want It That Way" by Backstreet Boys in less than 24 hours. Ike Moemeka /ike.moemeka_ GLASSHOUSE /glasshouse_id Adia Clark Lay /adiaclarklay Chapters: 0:00 Intro 0:37 The Rules 1:02 The Process 3:33 In The Style Of: Daft Punk 5:06 In The Style Of: Mac Miller 7:36 In The Style Of: Alanis Morissette 9:04 Closing Thoughts Directed and produced by Andres Gonzalez-Cardona Video Producer: Steffan Hacker Cameras: Steffan Hacker, Siwon Kim, Michael Borgida, Sage Shriver-Blough, Peter Chen Audio recording: Ian Choi, Joaquin Barbosa Thumbnail photo: Sophia Paffenback

New Artist awardee Lauren Jean takes the stage at the Berklee Career Jam Concert with a powerful set featuring her original songs “Emery,” “New Era” (featuring Amiri), and “Blue Moon.” Set 00:00:00 Emery 00:01:43 New Era 00:04:22 Blue Moon Lauren Jean, artist: /pairoflaurenjeans Gina Daly, guitar: /dalyginaa Sarah Psaila, keys: /sarahpsailaa Ella Wheeler, bass: /soliidago Carlee Morales, drums: /carlee_morales Amiri Moreno, rap: /amirimoreno__ Production Michael Borgida, Executive and Creative Producer Andres Gonzalez-Cardona, Audio and Creative Producer Jeannie Greeley, Video and Creative Producer Steffan Hacker, Video Producer Anja Veterova, Artist Development Manager Bryan Barancik, Stage and Lighting Design Pamela Hersch, Animation and Visual Programming Ryan Jones, BPC Production Manager Zach Hendrix, Lighting Programmer Teodor Karakolev, Video Director Juan Riera Gomez, Production Manager Kevin Greene, Steadicam Sage Shriver Blough, camera operator/video production assistant Will

Hitting the road for summer festival season? Check out these tour hacks and packing tips with Morgan Milardo of the Berklee Popular Music Institute and Jonathan Bricker, assistant professor in Music Business and Management. Berklee Popular Music Institute /berkleepopularmusicinstitute Video production: Produced by Jeannie Greeley Cameras: Jeannie Greeley, Steffan Hacker, Sage Shriver Blough Editing and Graphics: Sage Shriver Blough IG Reels edit: Jeannie Greeley Music and sound design: Juan Riera Gomez

"Como Baila Mi Pueblo" is a song about celebrating community, particularly for Latin Americans who are far from their home countries and building a life in the U.S. It fosters a sense of belonging, inviting people to reconnect with their roots through the universal language of music and dance. The song also commemorates Women's Month, highlighting musicians like Cira Moser, Estefanía Núñez, and Luana Brazzan. At its heart, Como Baila Mi Pueblo is an invitation to come together, share and embrace traditions, and honor the richness of Latin American heritage, recognizing the strength found in cultural identity and community. Featuring: Manuela Sánchez Goubert – Voice – @manuelasanchezgb Ciara Moser – Bass – @moserciara Estefania Nuñez – Piano – @estefania_nunez_villamandos Luana Brazzan – Drums – @luana_brazzan Indira Fe Sánchez Bhajan – A. Guitar – @indirafesam21 Juan Diego Panadero – Clarinet – @juandiegopanadero Juan Sebastián Ramírez Cubides – Congas – @juansebastian_ramirez Valentin

Chloe Borsody, Su Yavuz, and Anthony Kitchens met in our video studio where we presented them with the challenge to re-imagine "Popular" from Wicked in the style of Taylor Swift, Mk.gee, and John Coltrane. Participants had 24 hours to complete their work before meeting back in the studio to perform it live. 00:00 Introductions 00:47 Behind the Scenes 03:30 Chloe Borsody, In the Style Of Taylor Swift 04:50 Su Yavuz, In the Style Of John Coltrane 06:08 Anthony Kitchens, In the Style Of Mk. Gee Performers Chloe Borsody, guitar and voice: /chloeborsody Su Yavuz, piano: /pelinsuyzz Anthony Kitchens, producer: /tjcocinas Credits: Directed and produced by Andres Gonzalez-Cardona Video Producer: Steffan Hacker Graphics: Pamela Hersch Cameras: Steffan Hacker, Izabella Martinez, William Chi Production and Casting Assistant: Anna Kornis Thumbnail photo: Kelly Davidson

Boston Conservatory's premier string ensemble performs Jean Sibelius’s Impromptu for Strings, op. 5. The group is directed by Professor of Violin Lynn Chang. Performers: Violin 1 Lynn Chang Jocelyn Wang Kristin Barrett Sai Tang Lauren Oeser Violin 2 Emily Scicchitano Celeste DiMeo Youngmi Hwang Stella Feliberti Viola Katy Rose Bennett Changhyun Paek Lauren Wilson Justin Williams Cello Adam Broce Danielle Hall Enrique Garcia Milla Chitwood Bass Leo Martinez, BM ‘25 Credits: Produced by Michael Borgida and Jeannie Greeley Cameras: Teo Karakolev, Kevin Greene, Jeannie Greeley, Sage Shriver Blough, Camilo Barrios Pacheco Lighting design: Teo Karakolev Editor: Isak Kotecki Audio production: Andres Gonzalez-Cardona Recording assistants: Ellen Cordisco, Avanti Singh Audio mixing: John Escobar

Dr. Emmett G. Price III traces the influence of artists from the African diaspora, from Miriam Makeba in South Africa to Kendrick Lamar in Compton, and discusses how artists can be instruments of social change. Africana Studies /berklee_africana /@berklee_africana Credits: Produced by Jeannie Greeley Cameras: Jeannie Greeley, Steffan Hacker Editor: Sage Shriver Blough Sound design and mixing: Juan Riera Gomez

Students and faculty share artists that have contributed to social change. Examples include Lady Gaga, Nina Simone, Destiny's Child, and Bad Bunny. Hosted by Anna Kornis and Marley Striem. Audio post by Juan Riera Gomez. Anna Kornis: /anna_kornis Marley Striem: /marleystriem Juan Riera Gomez: /juanopano