A white supremacist is released from prison a changed man and hopes to prevent his younger brother from following in his footsteps.
Trailer
Cast
Edward Norton
Derek
Edward Furlong
Danny
Beverly D'Angelo
Doris
Jennifer Lien
Davina
Ethan Suplee
Seth
Fairuza Balk
Stacey
Avery Brooks
Sweeney
Elliott Gould
Murray
Stacy Keach
Cameron
William Russ
Dennis
Guy Torry
Lamont
Joe Cortese
Rasmussen
Jason Bose Smith
Little Henry
Antonio David Lyons
Lawrence
Alex Sol
Mitch McCormick
Keram Malicki-Sánchez
Chris
Giuseppe Andrews
Jason
Michelle Christine White
Lizzy
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I'm a bit bewildered by the praise heaped upon this film. Ed Norton does a good job and was just coming into his own at this point. His acting was not at the level it is today though. Furlong earned his money but did not shine in his role. Balk utterly failed to rise on this cinematic occasion and Keach showed up for the check. The story, the underlying message and personal transformation of Norton's character should be considered the pillars of this film. I however staunchly disagree with its position at number 61 in the top 250 films. Ponder for a moment that Spartacus is over 100 films below American History X, that alone should give you pause. It would be accurate to say that votes from the younger, more internet savvy, could be held accountable for such an imbalance. Those who felt that Eminem deserved an Oscar for 8 Mile. In both instances the story had a degree of truth and realism but Oscars are for a chosen few. I urge generation x and generation next to take more than a mere cursory look at the fellow top 250. Did Norton deliver the role with the same intensity as Brando? "Contemplate this on the tree of woe." James Earl Jones as Thulsa Doom Conan the Barbarian (1982)
I found it hard to enjoy this film due to the overuse of tacky advertising techniques like slow motion (that were too slow), black and white for the flashbacks and general obvious editing and camera work - like when he has been raped in the shower and is lying on the floor. We see a close up of his Nazi Swastika (as if to hammer home the obvious point). This film tries to be poetic but doesn't succeed. After leaving the cinema, I had forgotten everything. This film doesn't even get close to a film such as The Haine, which had a much stronger build up of characters and story, and leaves a significant impact on the viewer, who can identify with the characters. They seem real. In American History X even the characters seem like cliches picked out from other films.
I honestly don't think I have ever seen a better movie than American History X in my entire life! I may only be 14, but I have seen a lot of movies. I am an avid fan of them, and this one just takes the cake. Edward Norton is just unbelievable. He is the most talented actor I've ever laid eyes on. His performance in the movie is phenomenal. He delves so deep into his character that he can convince the whole audience easily of his neo-nazi role. The look on his face as he walks back from killing one man in the first seen is purely horrifying. The entire move was dramatic, intriguing, and powerful. It really is moving and emotional as well as scary. It is so true to life, and provides the viewer with such insight into the life and events that create a monster such as Derek Vinyard. It answers many questions I have long awaited an answer to such as what could possibly make someone act as Derek did in this movie, yet left open-ended many others that people such as myself may have. Almost every single scene in the movie was extremely captivating. I can't even go on to say more about the acting, other than if Edward Norton does not win best actor this year, I will go absolutely nuts. It's bad enough he lost it to Cuba Gooding Jr. when he was in Primal Fear, which was yet another incredible performance by him. Edward Furlong, the little kid from T2 is astounding as the confused brother of Derek. I was stunned walking out of the theater after seeing American History X, and I don't think I will ever have the benefit of seeing another movie as good as this one as long as I live. I recommend anyone with a good tolerance for violent and graphic depictions go see this movie. I am bewildered as to why director Tony Kaye would ever want out of this success. If I were to rate this movie, as I often do for others in reviewing them for school, I would give it an A+ with all of my heart.
A good friend of mine suggested this film, and I really didnt know what to expect going in, but after this film was over, I sat in stunned silence. I knew that racism was horrible, but I found through this film that it does not come without a terrible price..the loss of love, friends, family...and the realization that everything that you believed to be true isnt always the way things are. Edward Norton's performance takes the viewer through this journey, and its not a pretty one. He goes from an bright young man, to a vengeful bigot, to a remorseful excon with a brothers life in jeopardy, and you feel as though you are looking in on someones life in the course of 2 hrs. All of the acting in this film is first rate, and the ending wasnt quite as predictable as others might have you believe...it is quite shocking, as is much of the film. It causes quite a debate on the way people view others whos skin color is not the same. As Dr. King said, judge me not on the color of my skin, but on the content of my character. I live with racism, because I am a black man living in America...it exists, but if we educate ourselves like the main character in AHX, it wont stay around for much longer. Hopefully it wont be too late, as it was for him. Peace and Love, JB33 Rating 5 stars
A few minor disconnects in the plot? Where are the connects? Everybody's just responding to the volatility of the subject and to Ed Norton's charisma. The rest of this patched-together nonsense is about as meaningful as a 93-minute Nike ad. That director has no idea what he's doing, and won't be heard from again, except as a neurotic nuisance. Talk about the emperor's new clothes! If everyone's so hot on "powerful", see "Slam" and discuss that one for a change.
Economical and social problems are regularly associated in some societies, normally developed ones, to the presence of certain minorities, emigrants and people not belonging to the same ethnic prevailing in the country. It happened in Germany where nazis wanted to justify their problems with the increased richness of Jewish population, and this film touches the problem in the context of US, when young and nearly ignorant young people start admiring Hitler's ideology. A young very racist guy is taken to the prison after he killed two black men, who wanted to steal his car. One of the black was killed in a most violent manner. He is put in jail and there learned that he was completely wrong. The film has a lot of charge until its end, but I may ask, why such an end? There is no need for a happy end, but perhaps for something more coherent with the ideas the director seems to defend. Sorry, but the epilogue to me is bias.
Never have I seen a movie that was so raw and powerful. Edward Norton's performance was so good it was frightening. He definitely deserved the best actor award. I will be recommending this movie for a long time.
This is a great, great film anchored by the amazing and convincing performance by Edward Norton. There are so many people who think like him and he dove into this role headfirst, without any apologies. This movie, along with Irreversible, has one of the most violent scenes put to film, and it is very hard to shake off (even though it happens off screen). Norton's performance is equal to anything DeNiro did with Scorsese.
