Title Matrix

Kehlani - Can You Blame Me (feat. Lucky Daye) [Official Audio]

R&B

Année2020

Durée3m

Regarder maintenant

7.9

Kehlani - Can You Blame Me (feat. Lucky Daye) [Official Audio] Pre-Order/Pre-Save Kehlani’s new album “Blue Water Road”: https://kehlani.lnk.to/bluewaterroad Watch the new music video for “Altar”: https://www.youtube.com/watchv=lsbJvA_ag3c Kehlani - It Was Good Until It Wasn't out now: https://Kehlani.lnk.to/IWGUIWID Subscribe for more official content from Kehlani: https://Atlantic.lnk.to/KehlaniSubscribe Follow Kehlani http://kehlanimusic.com https://facebook.com/Kehlani https://twitter.com/Kehlani https://instagram.com/kehlani The official YouTube channel of Atlantic Records artist Kehlani. It doesn’t really need an explanation—you know exactly what Kehlani means when she sings. Without sugarcoating or softening a word, the Bay Area-born two-time GRAMMY® Award-nominated multiplatinum songstress will drop a hard truth in one breath and flip a middle finger in the next. She may extend a seductive invitation or an empathetic plea before leaving you in your thoughts and feelings. Either way, she finds a way to consistently relate without filter. With each move, she strengthens this connection to listeners everywhere.  Kehlani’s 2015 breakout mixtape You Should Be Here received a 2016 GRAMMY® Award nod in the category of “Best Urban Contemporary Album.” On its heels, her 2017 full-length debut SweetSexySavage bowed at #3 on the Billboard Top 200 and eventually went gold. Between selling out dates on the SweetSexySavage Tour, the record closed out the year on Pitchfork’s “The 50 Best Albums of 2017” and Rolling Stone’s “20 Best R&B Albums of 2017.”  Along the way, she contributed to Suicide Squad: The Album and The Fate of the Furious: The Album and guested on Cardi B’s double-platinum “Ring,” Kyle’s platinum “PLAYINWITME,” and Justin Bieber’s “Get Me,” to name a few. By 2020, she picked up three gold solo singles—"You Should Be Here,” “Honey,” and “Distraction,” for which she received her second GRAMMY® nomination for Best