A puppeteer's ability to bring inanimate objects to life attracts the attention of the Nazis during World War II.
ٹریلر
کاسٹ
Guy Rolfe
Andre Toulon
Richard Lynch
Major Kraus
Ian Abercrombie
Dr. Hess
Kristopher Logan
Lt. Eric Stein
Aron Eisenberg
Peter Hertz
Walter Gotell
General Mueller
Sarah Douglas
Elsa Toulon
Matthew Faison
Hertz
Michelle Bauer
Lili
Jasmine Totschek
Prostitute
Eduard Will
Soldier on Stage
John Regis
Morgue Attendant
Neal Parrow
Young Driver
Kenneth Cortland
Pharmacy Soldier
Lenny Rose
Airport Agent
Laurie Mateyko
Little Girl
Rhonda Britten
Mother
Michael Lowry
Hess's Guard
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تبصرے
10 تبصرے
source: Puppet Master III
Puppet Master III: Toulon's Revenge
The third part in the Puppet Master films is quite a surprise actually. It might even be better than the first in story telling! The acting is superb, the story is superb and the movie well...it's superb as well! This is actually a prequel to the original films, introducing the characters to us, including a new one named Six Shooter. This film, without spoiling anything is about killing Nazi's who have destroyed the Puppet Master. It is a very interesting look at events from World War II. A great installment in the series and well worth watching for the story alone!
Generally regarded as the best of the "Puppet Master" series, "Puppet Master 3" has one thing that elevates it above #1 and #2, and that is Richard Lynch as the head Nazi who hunts puppets. Whenever Lynch is cast as the top villain, which is almost always, he does not disappoint. The story itself could best be described as a long game of hide and seek, with Guy Rolfe and his puppets constantly on the move trying to evade Lynch and his SS Troopers. Of course such a simplistic plot eventually wears thin, but the brief flashes of puppet violence help somewhat. Even though "Full Moon" offers a full line of toy puppets, the film is clearly not aimed at children due to the violence and nudity. Despite this questionable marketing, apparently there is an audience for this type of entertainment. - MERK
I reckon this is the first one where we really establish the Puppets as "good". If you fight one of the "ultimate" evils (bear with me on this one or play along), than you have to be good, no matter how evil you are yourself. Or at least how mean and vicious, not to mention entirely violent and murderous. But that's the tale of the Puppets. And their master of course. The one in the movie and the ones behind the scenes of the movie, doing a really good job controlling them - pun intended. Effects are nice and the story may take us back, but I guess you have to stick with the story - or not. You know just watch it for the deaths and carnage. Whatever works for you. I reckon movie wise this is the best I've seen yet (up to movie 7 at this point).
I had actually never seen any puppet master movie. It felt like some kind of a comic book adaptation, let's say like the first of the series of Batman movies, but in less sophisticated. Not bad, but no genius material either. The puppet master being some kind of avenger. The idea of using Hitler and the Gestapo as Toulon's Nemesis was pretty ridiculous, but Richard Lynch being as good as usual and the puppets being funny in a silly way, it was'nt so bad in the end. However, it is not my kind of horror movie. I watched it because of the viewers' good comments. I give a 6 because if you llike the genre, I guess you will find it pretty good. But for my taste... Boy! Was it silly! If the puppets were at least better looking, it might have a stronger impact. But considering the year it was launched, it was OK.
Toulon's Revenge is the best in the whole Puppet Master series (With the exception of part 1 of course. This one goes back to World War II where the Nazi's are p****d off because of Aundre Toulon's puppet shows giving negative buzz about the Gustopo. And soon they discover that his puppets are actully alive and decide to use Toulon's technology to revive soldiers that were dead to replenish their army. Needless to say everything goes south and puppets spring into action to protect their master. What makes this movie great is it tells who the puppets are and shows the making and birth of leech woman I give it a 10
During the pre-war era of Berlin in 1941, the Nazi regime is working at creating a drug which will reanimate the dead. Their intent is to use the serum on fallen soldiers in order to render their army invincible. After many failed attempts, Dr. Hess soon learns that the local puppet master Andre Toulon holds the ancient secret of giving life to inanimate objects. Toulon and his legion of puppets must now defend themselves and flee from the pursuing Nazis as they try to capture him and use his powers for evil. This is an exciting and adequately-scripted entry in the still-continuing Puppet Master series, even though the story suffers from a gaping, inexcusable plot hole: the original movie has Toulon committing suicide in 1939, two years before the events in this film. All imperfections aside, however, this still is a decent little flick.
The most imaginative and best-acted title in the long-running PUPPETMASTER series, Part 3 is actually a prequel that details how Andrte Toulon came to create his puppets during the dark days of World War II. The Nazis wants to use Toulon's secrets to create an army of the undead, and that's when the fun begins. Toulon sics his killer puppets on the Nazis, to spectacularly bloody effect. The puppets are the good guys in this one. What also makes a huge difference here is the introduction of Guy "Mr. Sardonicus" Rolfe as Toulon, a role he would essay in two more sequels. Rolfe is a great Toulon, a charismatic and even sympathetic character who loves his deadly puppets as only a papa creator could. Rolfe lent an air of integrity and distinction to the series. Part 3 is a great little B-horror addition to the series that was shot on the Universal back lot instead of Europe to surprisingly solid effect. A must-see.
Full Moon's attempt at a World War II flick on a low budget is ambitious. Yeah, the acting is a little wooden (what do you expect from puppets? heh), but Lynch, Wolfe, Abercrombie, and Gottell all do okay. Setting up Lynch's character as a puppet is a cute touch since Blade does look like him. This gives some background to the puppets, and sets them up as the potential good guys for subsequent sequels and to take advantage of their popularity. Overall, entertaining.
