À la recherche d'une procédure prometteuse qui permettrait de guérir son cancer, John Kramer se dirige vers le Mexique pour suivre un traitement expérimental, seulement pour découvrir qu'il était la proie d'une arnaque.
Bande-annonce
Casting
Tobin Bell
John Kramer
Shawnee Smith
Amanda Young
Synnøve Macody Lund
Cecilia Pederson
Steven Brand
Parker Sears
Renata Vaca
Gabriela
Joshua Okamoto
Diego
Octavio Hinojosa
Mateo
Paulette Hernandez
Valentina
Jorge Briseño
Carlos
Costas Mandylor
Hoffman
Michael Beach
Henry Kessler
David Alfano
Doctor
Katie Barberi
Cancer Support Group Leader
Lucía Gómez-Robledo
MRI Technician
Donagh Gordon
Dr. Finn Pederson
Sebastián Torres
Masked Gunman
Cristo Ruiz
Tattooed Guy
Baltimore Beltran
Carlos's Father
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Commentaires
10 commentaires
XF.998
kghnnkk
plz english movies should be in hindi language..
Saw series dont hold any high standards in film making. But this movie is practically flawed in plot. The movie starts of well but soon loses complete logic. The traps were limited and dont even feel that innovative. The stupid things happening in this movie are literally unbelievable. For instance the child conveniently turns up playing football in the middle of the night in that location! Jigsaw's partner having sudden empathy for a victim she was ready to butcher a minute ago? There is just too many coincidences for Jigsaws plan to work here. It was a torture to watch this movie. This franchise is dead and rotten.
Saw X definitely has the gruesome goods expected of a Saw film however, what makes this entry really good is the unexpected amount of heart. It's a personal tale of revenge that's oddly wholesome, using its concept to make its traps and victim's suffering enjoyable viewing. Front and centre like never before Tobin Bell gets to lead this one and it's absolutely all the better for it. The relief when he believes he's cured and the realisation it's all fake is heartbreaking which makes him easy to root for. Also, his bond with Shawnnee Smith feels so genuine. Kevin Greutert's direction is really good, it's the same style that the rest of the franchise has but as a prequel trying to match that same aesthetic it works. The traps here are inventive, gross and believable, it's only the final one that feels too nice for the monster it's meant for. Charlie Clouser's score still uses that iconic theme at the end, which will honestly never get old at this point and before then it still avoids going unnoticed. As the first half is mostly trap free the score itself is nicer and more laid back.
best of all
