A Little Something for Your Birthday

The idea that a 60 year old playing the part of a 46 year old is quite obvious!!! The worst movie with great actors in it is sad. I'm shocked that Sharon Stone even considered this part. She might be beautiful but she can't pass for 46 !,,

A quirky, unique , beautiful hippy Betsy Johnson type fashion designer struggles to find her place in a logical rational world while she discovers love self acceptance and the law of attraction.

I found this movie to be inspiring. I'm glad it was cast with older characters who have lived and loved...or maybe not. There was much more meaning to it this way than the same old fluff which never rings true since we all know there's more to life after an initial blossoming romance. Kudos to these actors for bringing this to light in a most engaging manner. You could feel the inner struggles. Believe it or not, there are plenty of us middle-aged folks out there who have had them and still haven't come close to a happy ending, romantically, professionally or just plain living. Life is indeed a journey. Thanks for keeping hope alive!

Not funny, not touching, not clever, not pretty and all of that with a dreadful soundtrack. So technically just a really bad film, but then add in the subject matter; the portrait of a self obsessed drama queen living in a most perverse world created by someone with Hollywood stuck so far up themselves that they have totally lost touch with humanity.

All I Wish is clearly a Sharon Stone production. It's Sharon all the way and that's not a bad thing at all. She produced this so you know that her heart, if not her pocketbook is into this. She plays Senna a woman of '47', is what she says in the film, and she's a bit of a bad girl still, having fun with younger men and doing doobies with her younger best friend. In pops Tony Goldwyn and she falls for the guy, but to me it's clear that he is miscast. I was thinking that if say, Burt Reynolds were the guy there would be much more to go on. Goldwyn's character just isn't attuned to Senna. The script is clearly not quite there in terms of drama, jump cutting here and there... and although it goes year by year, with every birthday Senna has, the thread is lost somehow. The romance a tad derivative in the end, leaving the players too much on screen time. The film is too long. Sharon Stone is very good, and one wishes her more screen time in future. 6.1 Out Of 10

I read somewhere that the screenplay for this movie was written with a woman in her mid-twenties in mind for the lead role, and Stone was considered for the role of the mother. Stone made the argument that the story would be more interesting with a more mature woman (her) as the lead. I don't know if it's more interesting, but that certainly explains why her character is so immature and why she is best friends with a young woman almost half her age, and two times more wisdom. There should have been some extensive re-writing to make this story more believable, and Stone's character less irritating. Come on girl, surely you know this stuff by now! I was very impressed with the actor who played her love interest - I loved his natural energy and intelligence.

By the end of "All I Wish," the viewer has the feeling of having just watched a play in the theater that is overly declamatory and phony. The film's structure is that of a sequence of birthdays in the life of a middle-aged woman. The action is punctuated by a series of soliloquys spoken by the principal characters, as they stare straight into the camera and wax philosophical about their pretentious and rather ordinary lives. But the curtain call for this stagey experience leaves an audience slack-jawed because the work was so bad. The film was intended as L'chaim, or a toast to life! We learn from the bonus segment of the DVD that the screenplay was twelve years in the making until Sharon Stone took charge of Susan Walter's script and evidently changed the romantic concept from young love to that of a pair of middle-aged characters. Stone's character Senna is described as "a raisin in the sun," an odd image drawn from Lorraine Hansberry's famous play about a hardscrabble black family in Chicago in the 1950s. By contrast, the characters of "All I Wish" are carefree Los Angelenos, moving in the circles of wealth and fashion in what appears to be the 1980s (no cell phones). As the relationship of Senna and Adam develops, it was difficult to find it plausible that the erratic, creative fashion designer would connect emotionally with a fastidious attorney. The relationship never seemed credible, and it was a stretch to think that the act of marriage would be so significant to Senna that it would tear the couple apart. It was just too hard to find anything that these two characters had in common. Much of the dialogue seemed forced and artificial with lines like "We all feel inadequate. It's the American way." The most memorable role was that of Senna's mother, as performed by Ellen Burstyn. In the DVD bonus track, Sharon Stone correctly identified the "luminous beauty" of Burstyn that she is able to elicit in almost any role. From the DVD interview segments, the film was described by the writer-director as a "second act romantic comedy." Unfortunately, both the romance and the comedy were flat. And by the end of the second act, there was not a wet eye in the house at the final curtain.