(رون ستالوورث) ضابط شرطة أفريقي أمريكي من (كولورادو)، ينجح في التسلل إلى إحدى تجمعات (كو كلوكس كلان) المحلية - وهي حركات تؤيد بعض المواقف الرجعية المتطرفة والعنيفة ضد السود - إلى أن يصبح رئيسًا لإحداها، محاولا القبض عليهم.
الإعلان الترويجي
طاقم العمل
Alec Baldwin
Dr. Kennebrew Beauregard
John David Washington
Ron Stallworth
Isiah Whitlock Jr.
Mr. Turrentine
Robert John Burke
Chief Bridges
Brian Tarantina
Officer Clay Mulaney
Arthur J. Nascarella
Officer Wheaton
Ken Garito
Sergeant Trapp
Frederick Weller
Master Patrolman Andy Landers
Adam Driver
Flip Zimmerman
Michael Buscemi
Jimmy Creek
Laura Harrier
Patrice Dumas
Damaris Lewis
Odetta
Ato Blankson-Wood
Hakeem
Corey Hawkins
Kwame Ture
Dared Wright
Officer Cincer
Faron Salisbury
Officer Sharpe
Ryan Eggold
Walter Breachway
Jasper Pääkkönen
Felix Kendrickson
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التعليقات
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source: BlacKkKlansman
BlacKkKlansman (2018) The problem with this movie is exactly why Spike Lee made it: it is political activism. It's well made and a decent bit of storytelling with good acting and a strong underlying story. But it overtly pushes its message, and makes no effort to hide that. But this isn't a Michael Moore documentary. This is a film based on a true story, with actors and some embellishments. And it pushes the obvious, clichés and all. It does this not only in the end and beginning, which are bookends that announce their message, but also in the story itself, by keeping it simple to the point of simplistic. Maybe that's unfair and extreme--on second viewing I realized the movie is first rate filmmaking, whatever its limitations. If you get the story, and even if you empathize completely with the message, the effect as a movie, as a feature film out to create drama and move and shape you, this effect is flimsy and false. Yes, false even, because you know a grittier, more complicated truth must be there. You do end up thinking of director Spike Lee's other films here, like the brilliant "Malcolm X" and its own historical reconstruction, or "Do the Right Thing" with its more fictional immersion and conviction. And this one, "BlacKkKlansman," is less lyrical even though it is quite well filmed, and less moving even though built on compelling facts. The conventional core of the movie is good (and sometimes fun and funny), with the infiltration of some KKK types (made generally caricatures to the point of being almost comic, which is a shame). However, the last scenes with all the high fives might drive you crazy, and the documentary footage will make you realize there are more penetrating things out there than the movie you just watched. It's good, I'm glad I saw it, but it's half of what it could have been. But in truth (seeing it a second time), it's very well made and compelling. But for Spike Lee (at his best) it ends up half of what he has pulled off in the past. Which isn't so bad at all. Watch it!
