Come Out Fighting

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Ive seen bad WWII films, but this one takes the cake. Absolutely AWFUL, so bad in fact that all remaining copies should be binned. Starting off with dreadful CGI graphics including a non-existant ME-262 over the Channel in mid 1944, to P-51's strafing CGI railroad trains... The actual WWII vehicles used are nice to see, but the dreadful and corny acting, total lack of military discipline and paper thin plot lines make the vehicles and weapons superflous. As if it wasn't bad enough, the sub plot was taken straight out of the classic KELLY'S HEROS with the tank platoon commander using several of Oddball's (Donald Sutherland) lines and the mailroom sergeant mimicking Sergeant Crapgame (Don Rickles) Avoid seeing this film if you want to avoid putting your blood pressure through the roof seeing a WWII story utterly butchered by juvenile and childish writing, comical screenplays and dreadful acting. An absolute dog turd of a WWII film.... AVOID.

I will watch Micheal Jai White in anything. That can be a bad thing sometimes as movies like this show. The sound mixing is terrible, the music and sound effects are louder than the talking which makes it hard to hear what's being said. The special effects are very low budget. It looks like a made for tv movie. The acting isn't very good but that can mostly be put down to the poor script. The idea of an all black unit in the army being told they can't go after their lost black lieutenant as they "can't spear the man power" while actively trying to save a white lieutenant in the same area is actually a good premise for a movie. Sadly this doesn't live up to the concept.

It's no secret anymore that Hollywood constructs movies in a modular way. They write and shoot a bunch of scenes and then they try to combine them in random ways and show the results to test audiences. The combinations which make the best score are pushed forward to later iterations of editing and, eventually, to a "final" cut for theatrical release. The problem with this approach is that you get a disjointed set (not a sequence) of unrelated scenes rather than a wholesome story - in the best case scenario. Realistically, there will be cracks. For example, when a character references past events, it does not match what was actually shown (or, sometimes, what was later put into CGI - the actors don't know what they are talking about, those events never happened for them, they happened only inside GPUs of some server farm). That's not how storytelling works!

How did this get made? I wish I knew people that are okay seeing piles of their money set on fire. They spent a lot of money on some things. Not terrible CGI dog fighting, physical US and German tanks moving around a battle field, hundreds of small arms, uniforms, and a half dozen B actors. And spent zero dollars on other things, like writers, military advisors, directors, cinematographers, editors, etc...how? Like when a truly gifted film maker gets his hands on a microscopic budget, they can make something compelling. You give a child with zero self awareness a bucket of money, they have people throwing hand grenades at a mortar team 200 yards away. Or tanks that stop moving once they are fired upon. Where were the adults?