في فيلم الإثارة النفسية للمخرج إدغار رايت ، تمكنت Eloise ، مصممة أزياء طموحة ، بشكل غامض من دخول الستينيات حيث واجهت المغنية الرائعة ساندي. لكن البريق ليس كل ما يبدو عليه وأحلام الماضي تبدأ في التصدع والانقسام إلى شيء أكثر قتامة.
الإعلان الترويجي
طاقم العمل
Edgar Wright
Director
Thomasin McKenzie
Eloise
Anya Taylor-Joy
Sandie
Matt Smith
Jack
Diana Rigg
Ms Collins
Aimee Cassettari
Eloise's Mother
Rita Tushingham
Peggy
Colin Mace
Taxi Driver #1
Michael Ajao
John
Synnove Karlsen
Jocasta
Jessie Mei Li
Lara
Kassius Nelson
Cami
Rebecca Harrod
Ashley
Alan Mahon
Toucan Bartender
Connor Calland
Drunk Student
Pauline McLynn
Carol
Josh Zaré
Student at Party
Terence Stamp
Silver Haired Gentleman
Jacqui-Lee Pryce
College Administrator
Diana Rigg
Ms. Collins
Terence Stamp
Silver-Haired Gentleman
Krysty Wilson-Cairns
Writer
Edgar Wright
Writer
خيارات ترفيهية إضافية خارج MovieBox
نبرز أيضًا وجهات شريكة لعشاق الألعاب الخفيفة والدراما القصيرة. افتح أي تجربة بضغطة واحدة.
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التعليقات
10 تعليق
watched
source: Last Night in Soho
source: Last Night in Soho
This is my kind of movie. Very interesting, cool and different. An artistic visual style with good music. Dark in all the right ways. Great performances, especially by thomasin mckenzie. Whatever schtick she was doing was so adorable, made it easy to get emotionally invested in her character. It's not perfect movie, but i really enjoyed it and look forward to watching it again. (1 viewing, 11/1/2021)
No one could accuse this film of not being sufficiently unique, glossy, and ambitious. There is a plethora of originality and brilliant ideas in this film. It's just that the screenplay doesn't seem concerned with anything other than ambition or style. The writers don't care if it makes sense, so long as it looks cool and feels weird. The first half of the film is filled with intrigue, but that intrigue gradually crumbles as the repetitive dream sequences drag on and as more information is revealed. The plot twist at the film's climax is supremely obvious and it makes no sense, not even bothering to answer the sole question that the story has been posing: where are Ellie's visions coming from and why? There are several intriguing characters, plot threads. And themes that are completely abandoned in favor of ineffective jump scare sequences that add nothing to the story. Lastly, NONE of the horror elements work here. None of the scares are earned-just thrown in with loud noises for cheap thrills. Edgar Wright, stick to comedy and action. It's what you're good at.
I understand what Edgar Wright tried to do, but I could not help but feel that this story would have been more intersting if it were less horror focused and more of a straightforward mystery with flashbacks.
In Wokeness movies, everyone who is bad looks the same, they all have the same exact characteristics....and every good character looks the same with the exact same characteristics.... I'll let you figure out what those characteristics are...Once you spot it, you cannot unsee it. AND ITS GETTING EFFING OLD! WAKE UP HOLLYWOOD! EVERYONE IS GETTING SICK OF THIS CRAP AGENDA YOU ARE PUSHING!
