خلال غزو يوم النصر، تتلقى مجموعة من الجنود الأمريكيين أمرًا بتهريب أحد أفراد المقاومة الفرنسية خلف خطوط العدو، بهدف استخدامه في اغتيال هدف نازي عالي القيمة لصالح القيادة الأمريكية.
الإعلان الترويجي
طاقم العمل
Shane Dax Taylor
Director
Kelsey Grammer
Haskel
William Moseley
Southern
Joe Anderson
Smith
Pooch Hall
Cerino
Gilles Marini
Daquin
Jilon VanOver
Stubbs
Ian Niles
Miller
Roman Schomburg
Erik Ramsey
James Wiles
Verrill
Nathan Cooper
Tally
Martin Radoev
Nazi Sergant
Donald McNair
US Infantryman
Peter Minchev-Gushtera
Heavyset German
Sebastian Achilles
German Soldier
Jesse Mittelstadt
Writer
خيارات ترفيهية إضافية خارج MovieBox
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التعليقات
10 تعليق
later 2
nice movie
source: Murder Company
source: Murder Company
If you ever wondered what it would be like to watch a trainwreck in slow motion, look no further than Murder Company. It's a cinematic catastrophe that manages to be both hilarious and tragic, often at the same time. The script must have been written on napkins during a drunken game of Mad Libs, because the dialogue is so disjointed and nonsensical that it feels like the actors are improvising half the time. Scratch that-improv would have been more coherent. Let's talk about the acting. Imagine a high school play where everyone forgot their lines and decided to wing it. Now, imagine it's a high school where no one knows how to act. Murder Company is a film that will make you appreciate the artistic merits of a blank screen. It's a disasterpiece that must be seen to be disbelieved. If you're looking for a laugh at the expense of filmmaking, gather your friends, pop some popcorn, and prepare to marvel at the sheer ineptitude on display. Just don't say I didn't warn you. I forgot to mention the magic weapons that never required reloading throughout the whole movie.
I have thought about this for a long time and will share my thoughts. There are so many low-budget war films out there and they all share the same qualities: less than 10 soldiers on each side running around a forest which could be your backyard; no wide angle or crane camera shots - everything looks like it was filmed with an iPhone; and less than riveting acting and dialogue. There are occasionally actors familiar from the 80's like Toms Berringer or Sizemore. I'm sure it is the same in all genres but I notice it most in war films. They just don't cut it. Maybe there is the odd Blair Witch low budget gem out there but I haven't found it.
Watched the first 30 minutes, then quit. The first.1 minute had a parachute drop with 101st, ok... yes that's accurate, but then the sergeant (first character) had a MP40 in has back. He meets a private with a Thompson. So if you are going to have one guy with a Thompson, why give the sergeant a German SMG? That's where it started, and it didn't get any better. Tried to give characters a backstory, with some dialogue about 'what would you do if you weren't in the war" and answer was "well I wouldn't be here that's for sure!". Come on... if you want to spend time on development, give them something the audience can relate to.
