Good Posture

Script has an early draft feel about it, with a lot being done for effect without really making sense. At best, it's one of those regular negative exemplar warnings for would-be Baumbachs and Gerwigs, and fetishists of '70s Woody Allen. Turns out that a gentrified boho setting, attractive but dysfunctional intellectuals, a quirky folk soundtrack and a ukulele aren't going to be enough to make your movie. One might further venture that if touchingly realist character studies are your ideal, you might have spent a lot more time trying to understand the characters you decided to depict and a hell of a lot more making their interactions feel unique, plausible, motivated and meaningful.

Van Patten plays a pleasant but selfish and lazy individual, who, dumped by her boyfriend has to stay with her father's friend, a reclusive, successful author - Julia. Seemingly unable to communicate effectively with Julia, she decides to make a documentary about her. This is a pleasant enough tale about growing up, with a Van Patten good company in the lead despite being something of a jerk.

I haven't researched this movie. But I will offer my deduced reasonings. It may assist you when you start to see similar movies that are a waste of your time. This is set in New York. I have seen a pattern emerging of late. It is easy for me to spot, as I live in Australia, so I am not directly influenced from living in the United States of Amerikar. Firstly, the story. It begins and I thought, this may be interesting. It is cute. After 30 minutes, the actors transition from one state of antagonistic behaviours to a state of love for each other by the 60 minute mark. At 61 minutes, resentment and self importance has them going into emotional lock down. Not that you can pick it from the script. Because the scripting melted down 20 minutes ago and the movie is in free fall. By 62 minutes I am finding this story so tedious, that I have to shut it down and go watch an episode of Homeland. During my viewing as the story falls apart, I start to salvage whatever I can to maintain my interest. I remind myself to be grateful that entertainment is democratized. For a pittance I can watch someone's creative blood, sweat and tears. Someone's art, that they are possibly willing to die for. The back end story is probably young New York film maker, sleeping in the back of Chevy Van, eating out of supermarket dumpsters and borrows friend's Canon 5D ... convinces semi-name actors to participate and gets the backing of an investor who is a bona fide Democrat, voted for A.O.C. and applauded the resistance of Amazon's HQ2 in New York. There is a righteous theme to this movie ... namely that we can do whatever we like in Amerigar because of freedom of speech, inter-racial relationships are normalized, symbolic inclusiveness and diversity is mandatory in film making and when a movie has a story about writers, people in arty glasses and budding film-makers, who borrow other people's toothbrushes, then it will naturally be good even if normal people 'just don't understand'. And if you don't like it, don't watch it because there will be people who will relate to the story and love it ... so who cares what you think Mr. Downunder? By the way, the cinematography is something to behold ... and not because it is good. There is scant regard for lighting and the focus of the camera, particularly in the first 30 minutes appears to be all over the place. You could almost wonder if this has been deliberate in an effort to stylistically further the story ... more than likely it is just another of this movie's downfalls. For all of this I gave it a score of 2/10 rather than the realistic 0/10. Why did I give it so much praise with my 2? Because it was cute for the first 5 minutes. p.s. the episode of Homeland I watched immediately after verified what good story, acting and cinematography really is.

I took a bit of a blind punt on this film, it was on my sky films list, and as I am rather partial to the odd 'offbeat' indie film I gave it a go. This really is such a charming film, coloured with imaginative characters all of which are acted in such natural ways, there's nothing to make your eyes roll or let our a very long sigh, this is a very enjoyable and beautifully worked production. I am so glad I watched this.

It always fascinates me when there is a discrepancy between 'user' ratings and the critics. I don't know why people are unimpressed by this film. It is an original and surprising sort of urban New York 'coming of age' story, with very good performances, subtle humour and Austen like irony. The plotting is brilliant, but above all else it is kind and humane; kind to its characters and really quite profound in its humanity, without ever once losing its indie lightness of touch.

Yes it's a little odd at times, but well written, directed and produced. Actors all add their own 'something' to this movie. Really enjoyed the storyline, really enjoyed it. Loved the characters - it felt real.

A film so far up its own arse that it uses the uvula as a disco ball. I have no idea as how this even got funded, what is there to like? The laughable Great Expectations reference, seriously, has the writer ever read the novel? The critics will tell you how the characters are crafted and cooly delivered to the screen etc, twaddle, there is no middle to the film and you couldn't give a toss about the two lead characters. The usual boohoo, nothing new, arty film where everyone concerned pats their own backs.

Quirky and strange one can say, free and ravishing to others.to me , the grumpy old man and his grumpy better half, do both feel we sit leftwith an empty shell of a story experience, with loads of vocalali, uncareingness, adolescent adults and a writers cramp.. its like drinking tea on the titanic at 12000 feet below waters edge, accompanieged by a self illuminating deep sea sculpin, dangling its fluorescent bait back and forth, to lure you into the belly of silver screen fun and entertainment, but what you get are just a blurry gulch of blood and gall stories of a punch and judy way of life, where the seriousness does kill the magic, and the narcisissm kills the fun. acting, are very free but not a good way to tell the sad story. score, some nuttyish feature songs on string instruments sung by a striving female hanging upside down with her gutters pressing againt her vocal chords, may be something for you but not for me ,im still grumpy, and the max sum of 4 stars goes to some of the shoots at the new york streetlevel. just a small recommend

A girl in the transition of her life versus women who had achieved her acclaims. The movie Good posture surely made my weekend. Good movie, must watch.